You haven’t discovered Charming Hostess yet? Well, if you’re interested in the latest in the radical Jewish creative spirit unleashed, then you’ve been sleeping on the job.
There’s no way I could do them justice, so I’ll let them describe themselves:
Charming Hostess is a whirl of eerie harmony, hot rhythm and radical braininess. Our music explores the intersection of text and the sounding body – complex ideas expressed physically, based on voice and vocal percussion, handclaps and heartbeats, sex-breath and silence. We live where diasporas collide, incorporating piyyutim and Pygmy counterpoint, doo-wop and niggunim, work songs and Torah chanting.
ChoHo’s leader is Jewlia Eisenberg, a San Francisco-based “composer, extended-technique vocalist, lay cantor” who has been exploring exciting musical terrain with a variety of collaborators. Their last CD, “Sarajevo Blues,” juxtaposed music and text from the Jewish, African, and Bosnian Diasporas to explore
(Genocide) and nationalism, freedom under siege, the nature of evil, and resisting war by any means necessary – themes that Jews think about, maybe even obsess over.
And if that’s not enough for you, just check out ChoHo’s current work-in-progress, “The Bowls Project:”
The Bowls Project is an immersive music performance that takes place in a dome. (It) is based on texts from incantation bowls, common amulets 1500 years ago in Babylon. Simple clay bowls were inscribed with a householder`s secrets and desires, then buried under the house. Incantation bowls speak of mysticism and sex; angels and demons;and the trials and joys of daily life. Especially (and unusually) audible are the voices of the era`s women–their work, hopes, and dreams.
These spiraled Aramaic inscriptions from the same time and place as the Talmud open up a larger discussion: of the connections between material and literary culture, between canonized and marginalized voices, between ritual power and popular practice, and of how music mediates these relationships.
Click the link below to “Yedidi,” my personal favorite from “The Bowls Project.” On the YouTube clip above Jewlia Eisenberg performs the classic Ladino lullaby “Durme, Durme” at the 2008 Krakow Jewish Culture Festival.
The ancient breaths and tones here are so real, and feel universal, just touching the beyond…Durme, Durme…in that space between sleep and dream and consciousness. I am reminded of the same energy I felt hearing the flutist Paul Horn, inside the Taj Mahal – Charming Hostess though with that distinctive Jewish heartbeat. Thanks, Brant