Thte first part of our day was spent at the WE-ACTx Nyaconga center outside Kigali. Among other things, this site is used for a new peer youth program called “Peer Parenting” in which older children work with the younger children of the area – almost all of the orphans and either infected or affected by HIV-AIDS.
Mary Fabri told me that before WE-ACTx started working with the kids of Nyaconga, the children were obviously listless and outwardly depressed. This description certainly did not square with our experience of them yesterday. We spent the better part of the morning with them playing organized group games led by two youth teens – amazingly charismatic and talented team leader “peer parents.” One of the games seemed to be a Rwandan version of “Duck, Duck Goose.” Another bore a striking resemblance to the Israeli folk dance “”Yesh Lanu Tayesh.”
By the end, we were fairly exhausted (the adults anyways) but thoroughly enjoying each others’ company. (See pic above). I’ll never again underestimate the power of silly fun to bond people t0gether instantaneously. More importantly, I think it was an important testimony to the power of medicine (in this case, life-saving ARVs) along with community/leadership development to realize a more holistic vision of healing.
Another unexpected treat of the visit: we got to see a lovely mosaic at the center created by girls who participated in a WE-ACTx exchange project that brought teenagers from Rwanda to Chicago and girls from Chicago Freedom School to Rwanda. This mosaic (see detail above) was one of their joint projects. Note the Chicago skyline on the bottom left corner!
After lunch we made a return visit to the Kigali Memorial Centre (above), which serves as Rwanda’s national genocide museum and memorial. Like my last visit, I found it to be one of the most powerful museums of its kind. It doesn’t have the technical bells and whistles of more contemporary museums, but simply tells the story with straightforward simplicity, punctuated by video testimonies of survivors. I’ve always been moved and impressed that it contains one entire floor dedicated to other genocides throughout human history – a necessary statement that no one’s pain is disconnected from another.
The Centre is also the site of a mass grave of 250,000 who were slain during the genocide which, of course, makes it much more that a simple museum – it is truly sacred ground. It was the first real connection to the genocide for our group on the trip – needless to say, an enormously difficult – if important – part of our visit.
But as is often the case in Rwanda, we went from joy to sorrow, and back to joy again. After the Centre visit, we decided to swing by the art studio of William, the young man who directed the mural project at the WE-ACTx offices yesterday. He had told us if we had time, he’d love to show us his work.
While we expected a modest one-man art studio, we were delighted, upon arrival, to discover that William was part of the Ivuka Arts Center – a collective of seventeen artists that provides a home for work and sponsors art and dance workshop for Rwandan youth in the community.
While we were at Ivuka, we had the opportunity to see several of the artists in action and viewed much of their work. Coming here directly from the genocide center, I was particularly struck that none of the art directly evoked the pain of Rwanda’s recent history. Rather, there was an obvious pride and joy in Rwandan identity and culture. Given the high quality of the art, were particularly amazed to learn that these artists are largely self taught. Clearly, this is much more than an artists collective. Quite by chance, we happened upon another inspiring Rwandan community development project!
From the Ivuka website:
Since its inception in 2007, Ivuka has become the face of Rwandan art to both the national and international communities alike. In the last 2 years Ivuka has become the most sought-after fine arts destination for expatriates and diplomats in Rwanda. Yet despite this incredible success, Ivuka Arts Founder and Director Collin Sekajugo still envisions the studio primarily as a place where art is used to change lives.
Through Ivuka’s mentoring program, artists who formerly struggled to make a living are honing their skills, finding platforms for exposure, and gaining name recognition. Children who formerly begged on the streets are finding hope and educational opportunities through RwaMakondera, Ivuka’s traditional dance troupe.
In a very real sense, Ivuka has become more than “The Rebirth of Contemporary Rwandan Art”. It has become the start of a bright new life for each person it touches.
We spend a wonderful few hours at Ivuka, which also included significant art purchases and extended playing with Rwandan children who had been attending a workshop. Below is a picture of our friend William (white shirt, fifth from right) and Emanuel (black shirt, left), who is a central leader of Ivuka and its programs.
Sometimes, the most remarkable experiences on your journey are the ones that aren’t on the itinerary…