Our trip is winding down, but I’m going to try and slip in a few more posts before I head stateside…
As I mentioned in an earlier post, Palestinian resistance takes many different forms. On Thursday, we received a profound tutorial in cultural resistance courtesy of the educational and theatre training center, Alrowwad.
Alrowwad (in Arabic: “Pioneers for Life”) is located in the Aida refugee camp adjacent to Bethlehem and refers to its mission as “Beautiful Resistance.” As their vision statement eloquently articulates:
(We seek to create) an empowered Palestinian Society on educational and artistic level, free of violence, respectful of human rights and values, (with special focus on children and women) based on the spirit of social entrepreneurship and innovation in self-expression and respect of human values.
We spent the afternoon with Alrowwad’s founder and director, the inspiring and visionary Dr. Abdelfattah Abusrour (below), who gave us a tour of the center and the Aida refugee camp itself. Abdelfattah was born and raised in Aida, but went to Paris to study Biological and Medical Engineering at Nord University. While in France, he also nurtured a passion for theater and painting and he quickly became involved in the educational/cultural life of Paris. He told us that he could easily have “married a French woman” and lived a comfortable life in France, but he eventually felt compelled to return to Aida and utilize his cultural training in his home community.
Abdelfattah established Alrowwad in 1998, and it very quickly became an anchor in the Aida community. It has also become a model of cultural resistance for Palestinian society at large. Their concept of “Beautiful Resistance” uses culture as a therapeutic method to encourage and promote creativity and non-violence, and to teach peace and respect for others.
Abdelfattah and Alrowwad has now introduced a future generation of Palestinian youth to this a new method of self-expression and resistance. They believe their work increases the spirit of collaboration between children as well as their sense of belonging in the community. Their hope is that given the chance to be creative and to set their own priorities, children can provide a bridge for a democratic and independent Palestinian society — to build a better future even amidst a dire present.
In many ways, touring Alrowwad reminded me the Jenin Freedom Theatre, which I visited with my congregational delegation in 2010. Adelfattah told me that his center does indeed collaborate with the Freedom Theatre, as well as other similar Palestinian cultural projects throughout the West Bank. Adelfattah also travels abroad to promote his work – and this spring will be directing a performance of “The Diary of Anne Frank” in North Carolina! Just another reminder that there is an extensive and powerful grassroots movement of Palestinian cultural resistance that is relatively unknown to the West, but is eminently worthy of our support.
During our tour of Aida (above), Abdelfattah gave us a glimpse of the life of his community – explaining its history and illuminating life amidst the ever-present reality of military incursions, night raids, etc. At one point, our group actually witnessed this reality up close: near the gate to the camp, several IDF soldiers shot tear gas at some children who were a few meters in front of us. (We did not witness the incident that precipitated this violence.) Though we were not in the immediate vicinity of the tear gas clouds, it carried toward us downwind – and though it was only a vestige of the gas, several of us experienced its powerful, lingering sense of burning in our eyes and throats. (I can’t begin to imagine what it must feel like to sustain a direct hit.)
We continued our way down the streets of Aida, along the separation wall that butts up directly against Bethlehem. As we walked, a women called to Adelfattah from a third story window and invited us up for tea. We sat together on the roof of her home, sipping our tea and looking out over the wall toward the wide open spaces that led toward greater Jerusalem. Our hostess told us that she and Aida owes their very lives to Abdelfattah and it was an honor to have us in her home.
Please join us in supporting the work of Alrowwad through Friends of Alrowward USA. Our delegation can personally attest to the power of their “Beautiful Resistance.”
Reading your blogs adds another layer of commitment to the Palestinian cause for us not with you (but wishing we were). How thankful I am to members of your delegation who will soon bring stories back home of their experience in the West Bank. The Untold Stories Project awaits them!
Thank you, Rabbi Rosen, for yet another inspiring story from Palestine.
Indeed,a cause that deserves support from all of us…left..right..center…
Oh, thank you Brant for bringing the story of Aida, Alrowwad and Abdelfattah to your blog readership. I am so pleased the Seraj Library Project has chosen Aida and Alrowwad as its next recipient of a grant to refurbish, replenish its library and replace old computers.
I leave for Pal/Is this Friday and will spend most of my first week there with Abed (shortened Abdelfattah) and Al Miller, a buddy of mine who directs a theatre in Brunswick, Maine. Al’s work with young people is inspired/brilliant and he will bring those talents to the young people in Aida. This past summer I enjoyed spending three days with Al and Abed in Maine. You’re right, Brant, this is an exceptional man … and it is the likes of him that draw me back there as often as possible. He and his community deserve all the support we can muster.
Thanks so much Brant for sharing your fascinating trip with us. You make me proud to be a JRC member!